Date: June 22, 2013
Event: 24 Hour Plays LA
Location: Los Angeles, CA
Cost: Ticket prices ranged from $100 - $200
Summary: And with this, I become a bi-coastal supporter of 24 Hour Plays. :D
If you know me, you know that The 24 Hour Plays benefiting Urban Arts Partnership (sponsored by Monte Blanc) is one of my favorite favorite favorite things to do in New York. Favorite! I have attended the 24 Hour Plays six times in New York, but this is the first time I've gone to the LA version of it. It just so happened I had to be in California for work the following week so I wasn't about to miss the opportunity to come down to LA a couple of days early to experience this! And I wasn't disappointed.
Now, why do I love it so much? Well, why do any of us love anything so much? It's hard to pinpoint. But I can say that it was the very first Broadway show I ever saw after I moved to New York, so it holds that special place in my heart for that reason. Second, I feel very very strongly about the organization that benefits from the show -- Urban Arts Partnership (http://www.urbanarts.org or @UrbanArtsNYC on twitter) -- which brings arts education to under-served students in New York (or LA). And, third, you seriously just never know what you're going to get. And that makes it so.much.fun.
For those that have never heard of 24 Hour Plays, here's what it is: in short, it's a show in which six 10-minute plays are written, produced, and performed all in the span of 24 hours. The writers, directors, and actors meet for the first time at 10:00 pm the night before, then the writers write the plays all night, then the actors come back and rehearse with the directors all day, then they do lighting and such, and at 8:00 pm it's curtains up, and the performances end at approximately 10:00 pm, 24 hours after their very creation began.
As I said above, as an audience member, you honestly have no idea what to expect. Will they be comedies? Dramas? Who will play what roll? Will I laugh? Will I cry? Will the play make any sense at all? (admittedly, the answer to that last question is frequently 'no', but again, that's part of the fun.) And also, it's clear every year, and this year was no different, that the actors love what they're doing, they believe in what they're doing, and that translates on the stage. The audience can feel it, and we're brought along on the ride with them, we're part of this creative process, and it's...as I said, it's just plain fun. (if you’re on twitter, search on the #24HRLA hashtag to see some of the shenanigans)
As for the actors, kudos to them. They give of their time to this and their name (and for some, their dignity, heh) and they do it for an amazing cause, one I feel strongly about as I said. I'm an engineer by training, a scientist by nature. I’m all about numbers and the laws of physics. But I know that I would not be a complete person, professionally or personally, without the arts (if you've read previous entries in this blog, I think you can see I do love artsy stuff), and I believe we need to continue arts education in our classrooms -- it's not just a 'nice to have', it's a requirement. And that's what Urban Arts Partnership also believes and that's what they do -- bring arts back to the class rooms, both for the sake of arts but also incorporating it into the core curriculum. Helping kids stay interested, helping them learn. And more of them are graduating because of it. As I said, it’s not just nice to have, it’s making a real impact on kids’ lives.
And so that's what these actors lending their time to this cause does. And I'm not just speaking theoretically: at this year's performance, the person on my left was there specifically to see Sasha Alexander perform and the person on my right was there because she wanted to see Sklar Astin. And I’m sure these two cases were not unique. All of these actors, their names, their presence was putting butts in the seats and bringing money to UAP. So, as I said, kudos and props to the actors. Respect.
Continue reading below about the individual plays from this year.
Event: 24 Hour Plays LA
Location: Los Angeles, CA
Cost: Ticket prices ranged from $100 - $200
Summary: And with this, I become a bi-coastal supporter of 24 Hour Plays. :D
If you know me, you know that The 24 Hour Plays benefiting Urban Arts Partnership (sponsored by Monte Blanc) is one of my favorite favorite favorite things to do in New York. Favorite! I have attended the 24 Hour Plays six times in New York, but this is the first time I've gone to the LA version of it. It just so happened I had to be in California for work the following week so I wasn't about to miss the opportunity to come down to LA a couple of days early to experience this! And I wasn't disappointed.
Now, why do I love it so much? Well, why do any of us love anything so much? It's hard to pinpoint. But I can say that it was the very first Broadway show I ever saw after I moved to New York, so it holds that special place in my heart for that reason. Second, I feel very very strongly about the organization that benefits from the show -- Urban Arts Partnership (http://www.urbanarts.org or @UrbanArtsNYC on twitter) -- which brings arts education to under-served students in New York (or LA). And, third, you seriously just never know what you're going to get. And that makes it so.much.fun.
For those that have never heard of 24 Hour Plays, here's what it is: in short, it's a show in which six 10-minute plays are written, produced, and performed all in the span of 24 hours. The writers, directors, and actors meet for the first time at 10:00 pm the night before, then the writers write the plays all night, then the actors come back and rehearse with the directors all day, then they do lighting and such, and at 8:00 pm it's curtains up, and the performances end at approximately 10:00 pm, 24 hours after their very creation began.
As I said above, as an audience member, you honestly have no idea what to expect. Will they be comedies? Dramas? Who will play what roll? Will I laugh? Will I cry? Will the play make any sense at all? (admittedly, the answer to that last question is frequently 'no', but again, that's part of the fun.) And also, it's clear every year, and this year was no different, that the actors love what they're doing, they believe in what they're doing, and that translates on the stage. The audience can feel it, and we're brought along on the ride with them, we're part of this creative process, and it's...as I said, it's just plain fun. (if you’re on twitter, search on the #24HRLA hashtag to see some of the shenanigans)
As for the actors, kudos to them. They give of their time to this and their name (and for some, their dignity, heh) and they do it for an amazing cause, one I feel strongly about as I said. I'm an engineer by training, a scientist by nature. I’m all about numbers and the laws of physics. But I know that I would not be a complete person, professionally or personally, without the arts (if you've read previous entries in this blog, I think you can see I do love artsy stuff), and I believe we need to continue arts education in our classrooms -- it's not just a 'nice to have', it's a requirement. And that's what Urban Arts Partnership also believes and that's what they do -- bring arts back to the class rooms, both for the sake of arts but also incorporating it into the core curriculum. Helping kids stay interested, helping them learn. And more of them are graduating because of it. As I said, it’s not just nice to have, it’s making a real impact on kids’ lives.
And so that's what these actors lending their time to this cause does. And I'm not just speaking theoretically: at this year's performance, the person on my left was there specifically to see Sasha Alexander perform and the person on my right was there because she wanted to see Sklar Astin. And I’m sure these two cases were not unique. All of these actors, their names, their presence was putting butts in the seats and bringing money to UAP. So, as I said, kudos and props to the actors. Respect.
Continue reading below about the individual plays from this year.